This second creation of "Life as a Play" is truly masterful. The selected films perfectly match the character designs, and both the animation and music are impeccable. However, I couldn't find any related analysis online, so I decided to write one during this holiday break. (This is truly a ten-thousand-word deep dive.)
My personal capabilities are limited, and there are some frames I couldn't identify the source for—there might even be some errors. Please feel free to supplement or correct them in the comments. There's also much to discuss about the lyrics; I hope someone else will take on the task of analyzing them.
I spent considerable time researching and compiling this. If you read through it all, I'll be delighted ( •̀ ω •́ )✧. Some content references the original video's comment section and bullet screens; I can't obtain individual permissions, but I've tried my best to credit the authors.
Additionally, presenting this analysis in image-text format may lack readability. It would be better to watch the original video side by side. If anyone wants to turn this into a video, please feel free to do so, but make sure to credit the source. I welcome links to your finished work in the comments.
Frame-by-frame, this sequence roughly showcases the character costumes from Mondstadt to Snezhnaya across nations—very visually appealing. Some of these costume designs reappear later.
The lady holding Venti's Godhead is in the lower right corner. In the front row, there's also "Abel Junior," the character from the event quest meant to replace Albedo.

Why is there a Starless One in the cinema? Haha. From left to right in the front row: Lord of Water and Mountain, Xianyun, Grandma Ping.

Why is Yae Miko holding Wanin's portrait? The hand barely visible in the back row is likely a friend of Yaoyao, who is handing over a Vision?
The front row features Hanashiro and Shippō[4].

Flora holding little Nahida is adorable. Sena is still telling cold jokes, while Tighnari tries to cover his ears.

Here Paimon is thinking only of sweets—quite fitting for Fontaine’s atmosphere and Paimon’s gluttonous nature. This scene features three Furs: the white Furry under spotlight, who has played god for 500 years; the black Furry on the far left, having shed the burden of divinity; and the central one, the Aqua Goddess Furina.

The final shot of the captain and the Death Sovereign is truly striking. The woman on the right is scolding Olorun. On the left should be Kuko and Chasca (heartbreaking😭).

This shows the 11 Harbingers. The Lady lies in a coffin, with a young girl beside her—quite fitting with the visual tone of "Winter Night's Foolish Play." The placement of the Doctor and Scout together at the top right corner might be a subtle touch by the creators. By the way, the captain has been sitting in the same spot without moving since the previous scene—any theories?

A few frames briefly show the siblings. Then the brother’s position shifts to Paimon.


From 00:16 to 02:52, the narrative combines the Eight Sufferings of Life, divided into seven chapters based on the elements, with each chapter title closely aligning with the corresponding deity’s story arc. I directly quote the analysis from the comment section by Bai Wei Fen Cheng:
Birth Suffering: Pain at birth, corresponding to the Grass God Nahida Old Age Suffering: Physical and mental torment from aging, corresponding to the Geo God Zhongli Illness Suffering: Physical and mental pain caused by illness, corresponding to the Hydro God Furina Death Suffering: Fear and pain during death, corresponding to the Pyro God Mavika Separation from Loved Ones Suffering: Pain of separation from loved ones, corresponding to the Anemo God Venti Meeting with Those One Hates Suffering: Distress from being forced to meet people or things one dislikes, corresponding to the Electro God Raiden Unfulfilled Desires Suffering: The frustration of unmet desires, corresponding to the Cryo God Five Aggregates Intense Suffering: The fundamental cause of suffering arising from the accumulation of the five aggregates (form, sensation, perception, mental formations, consciousness), the root of the first seven sufferings, karma and reincarnation, corresponding to the Twin Gods
And from shut zero degree:
Birth Suffering: Nahida losing memory and regrowing after breaking off Old Age Suffering: Zhongli wearing down Illness Suffering: Furina creating humans while bearing original sin Death Suffering: Mavika’s 500-year journey through death Separation from Loved Ones: Venti losing friends Meeting with Those One Hates: Raiden Shogun locking the country and isolating herself Unfulfilled Desires: The Cryo God unable to love Five Aggregates Intense Suffering is the sum of the above seven sufferings, corresponding to the Traveler experiencing one kind of suffering upon visiting each nation
Below, I’ll go through each section in order as presented in the video, then skip the eighth chapter, "Five Aggregates Intense Suffering," starting at 3:21, as it doesn’t feature film integration.

Four tasks at the title:
The female lead in the movie[5] is also named Venti. In the film, the male protagonist Peter Pan has flight ability, a childlike and free spirit—very fitting for the game’s Venti. This frame corresponds to the scene around 19 minutes in the movie[5] here.

This frame features Anemo characters from left to right: Ifa, Satori, Jean, Sucrose, Yumezuki Mizuki, Ryonan-in Hirata, Faruzan, Lan Yan, Chasca, Lynette.

In the movie[6], Zhao Guo’s three top assassins—Kong, Canjian, and Feixue—repeatedly threatened Qin King’s life, making him sleepless for ten years. A nameless county official claimed to have killed these three assassins and brought their weapons to present before the Qin King. According to Qin law, killing three assassins grants the honor of "ten steps near the king." The nameless man used this rule to attempt assassination. In the second row of the image, the sword-wielding nameless man corresponds to Yaoyao. The plot of this film parallels Yaoyao blocking Raiden Shogun’s Musou no Ken.[6]

This scene references the poster of the film Shadow[34]. In the movie, Ziyu was injured in war against a rival state, weakened physically, unable to attend court or fight. Secretly, he cultivated a body double named Jingzhou, identical in appearance, to handle politics and warfare on his behalf. Ziyu desperately wanted to reclaim Jingzhou City but could only manipulate his double from behind the scenes. As the story progresses, Jingzhou gradually develops self-awareness through constantly playing Ziyu’s role, questioning his identity and fate. This mirrors the relationship between Raiden Shogun and Raiden Tenno.

The next scene’s English text "The Pig, The Snake and The Pigeon" matches the English title of Zhou Chu Eliminates Three Evils[7]. Then comes the iconic scene from the film.

In the film, the protagonist Chen Guilin was once a ruthless gang member. Upon learning he had cancer and only days to live, he planned to surrender—but discovered he ranked third among Taiwan’s top three fugitives. So he decided to eliminate the two higher-ranked fugitives to become a legendary hero known as a "public benefactor."
The homage here is to the moment when Chen Guilin nearly got brainwashed by the cult leader Lin Luhuo into abandoning his plan, only to realize the cult’s deception and decide to kill Lin Luhuo. Chen Guilin and Lin Luhuo correspond perfectly to the Traveler and the Doctor. Once a member of the Fatui, the Traveler bears guilt, and in the Empty Moon Song PV – "The Poem of the Moonlit Night", it’s hinted that he’s coming to settle old scores with the Doctor.
Speaking of the pile of Doctor slices below—it’s too funny. But in the film, when Lin Luhuo dies, someone immediately takes his place to continue playing music—quite fitting with the Doctor’s slice concept.
Before we can mourn the Doctor’s death, the Traveler quickly arrives at the set of A Clockwork Orange[8]. This film is quite controversial. The protagonist is a troubled youth whose story follows his descent into crime, forced "rehabilitation," and subsequent societal revenge—a rather absurd journey, similar to the Traveler’s own path.


Six tasks listed in the title:
The first shot shows two horseback riders—likely Lord of Water and Mountain and Lord of Cutting Moon—and the background is Layered Rock Abyss. After the transition, the background still includes the Nāga.


The movie[9] recounts Liu Bang’s life story, including the Hongmen Feast, the Chu-Han Contention, and Han Xin’s death. The elderly Liu Bang, plagued by suspicion and anxiety, appears slightly mad—perhaps reflecting the concept of wear and tear. Using Liu Bang to represent Zhongli likely emphasizes his imperial dignity.

The following scene likely corresponds to Only Green. However, I couldn’t find a way to view the original film, nor have I seen it myself, so I’m guessing based on the video description and style.


This frame is clearly a tribute to Millennium Actress[35][36].
The film tells the story of the heroine Fujino Chiyo, who seeks a man she can barely remember. She enters the film industry and plays various roles—warrior princess, geisha of the Bakumatsu era, ninja of the Taisho period, female scientist of the Showa era—each role involves running and searching. The film intricately blends real-life and cinematic narratives, jumping through time and space. This closely mirrors the Traveler’s journey across nations, seeking blood relatives.

The poster for this transition is labeled "Old Age Suffering," matching the chapter title. At the end of the video, there’s a compilation poster of all eight chapters.
The next three scenes represent the transformation of Liyue from the Archon War to today’s human governance. This segment pays homage to Orlando, where the protagonist traverses a maze, witnessing centuries of change and evolving fashion. In this somewhat stream-of-consciousness film, Orlando’s personal evolution often symbolizes the transformation of the British Empire. This leads to the thought: "Perhaps the Archon watches Liyue’s changes just like that," and what the Archon represents needs no further explanation.[33]



This TV series[10] is set against the backdrop of China’s dramatic social changes from 1915 to 1921, focusing on the New Culture Movement, the May Fourth Movement, and the founding of the Chinese Communist Party. Centered on the duo "South Chen, North Li" (Chen Duxiu and Li Dazhao), the series portrays ideological clashes and life choices among historical figures such as Li Dazhao, Chen Duxiu, Mao Zedong, Zhou Enlai, Lu Xun, Hu Shi, Cai Yuanpei, and Gu Hongming. It illustrates how China’s progressive intellectuals explored paths to save the nation during national crisis, ultimately choosing Marxism and founding the CCP. This parallels Liyue’s journey through hardship toward human governance.
The frame where the Archon turns to look at Flora likely pays homage to Episode 39’s glance.

A film related to Peking Opera[11], with Mr. Yun as the leading actor—perfect fit.

The scene of Albedo eating an apple in the bathtub pays homage to Indian Summer[12]. In the film, the relationship between the female protagonist Clara and her cousin resembles that between Albedo and "Abel Junior." Clara envies her cousin and acts out in retaliation. So, is the person in the tub "Abel Junior"?

Although this film[13] doesn’t seem to have a direct visual match, placing its title on Albedo’s scene has meaning.
It’s a film about Alan Turing. Albedo and Turing are both socially awkward geniuses ahead of their time. Albedo’s attempt to create life parallels Turing’s proposed Turing Test—creating a machine that thinks like a human and can fool people. In many ways, Albedo resembles Turing.
It’s said that Turing died by biting an apple soaked in cyanide solution—coincidentally matching the above image.
A classic scene in every sense. Like Ningguang, the film[14] depicts Gatsby, whose origins were humble. He built his wealth through hard work, becoming a mysterious and wealthy figure.

Then two images of small seal script flash by:


The next four shots resemble scenes from The Godfather[15], though I couldn’t find the exact match.

Then comes the iconic scene: "You wouldn’t even call me Father." The person standing in the first row should be Haruka.

"That’s a veteran performance," a famous meme[16] from the behind-the-scenes footage of Unstoppable, with the title also matching Zhongli.


Seven tasks listed in the title:
This homage to Rashomon[17] may not have a direct visual match, but the plot fits well.
In the film, a samurai is murdered. Around his death, three witnesses—the bandit Taketoshi, the samurai’s wife Shinza, and the samurai’s ghost via medium—give completely different accounts, contradicting each other and exaggerating their own virtues. That’s why Flora says, "Everyone is lying."

This film corresponds to the differing accounts surrounding Raiden’s death in Sumeru. However, I couldn’t discern the connection between the three images of Raiden, Kyoko, and Kujirai and the plot. Below is my interpretation:
The film[18] centers on linguist Dr. Louise Banks. The story begins when mysterious giant alien spacecraft appear simultaneously in twelve different locations worldwide. To prevent global panic and conflict, the U.S. military recruits Louise and physicist Ian Donnelly to decipher the aliens’ language. The film features a brilliant design involving time—details withheld here. Commentators note that compared to the original, the film adds national narratives and subtly casts China and Russia as villains.
The phrase "Why you here?" in the image is a line spoken by the aliens in the film’s opening recording—possibly symbolizing the Traveler and Inevi coming from different worlds.

Classic old film. The reason for selection might be similar.

The film[20]’s protagonist is a gravekeeper, guarding memories against forgetting—very fitting for Feynman’s identity.
The whale soaring into the air in the image is a key symbol at the film’s end.

By the way, the camera movement in this segment is really impressive!
Next, a quick flash shows what each character sees in their mind—representing a core emotional wound.




The other three are easier to understand. For Keqing, refer to her Vision-related character story:
When it comes to disrespecting the "Vision," Keqing might be unique. Keqing knows her achievements come entirely from her own efforts, yet others see them as the result of the "Vision." She feels this purple crystal steals her pride, a challenge and insult from the gods. To destroy the "Vision," she tried countless methods: burning it for three days and nights, crushing it with a mine cart full of stones, or throwing it from the Qunyu Pavilion. Unfortunately, all attempts failed. Keqing was at a loss, but didn’t want it falling into the wrong hands, so she reluctantly accepted the "Vision" belonging to her. Over time, Keqing gradually came to accept the "Vision." She realized the item wasn’t possessed by a divine consciousness and provided practical help in many situations, so she decided to use this power wisely. "More important than the source of power is the one who wields it." Regardless of how she once viewed the "Vision," this power is now indispensable to Keqing. Fortunately, she never destroyed it—otherwise, she’d regret it deeply. After all, she’s a pragmatist.

Eight tasks listed in the title:
The creators combined Fire and Cryo characters, and the clash between fire and ice reflects the clever arrangement. Therefore, no analysis is needed for this chapter.

Three tasks listed in the title:
Also a classic iconic scene[21]. In the film, Chen Yongren is a police undercover agent embedded in a triad, fitting Diluc’s dark hero persona; Liu Jianming is a triad mole within the police force, corresponding to Kaeya, who appears to be a Knights of Favonius member but is also "a pawn planted by Keqing in Mondstadt, destined to serve Keqing."

This scene also resembles Kaeya’s character story—Vision: On the rainy night when his father was killed by the cursed eye, as an adopted son, Kaeya should have saved Clipse, but arrived too late. As a younger brother, he should have shared Diluc’s pain, but hid behind his brother, contemplating the conspiracy of being a Keqing spy in Mondstadt. Ultimately, in the rain, Kaeya confessed the truth to Diluc, and they drew swords against each other.
Hu Tao and Qiqi play the roles of Taoist and zombie—true to form.
Although the image says Mr. Vampire[22], the scene actually pays homage to Mr. Vampire 3: The Spirit Master[23], where a Taoist tries to retrieve his zombie assistant but accidentally releases a beautiful female zombie.

This scene likely corresponds to the moment around 2 hours in the film[24], where the Gallic warrior fights with a mask on the right—matching the Captain. The film also features tigers in the arena, corresponding to the dragon in the image.

Among the film posters in this segment, I only recognize two: The King’s Speech is clearly a tribute to Forrest Gump, and the right-side image of Mavika matches Gladiator. Others are welcome to add.


Four tasks listed in the title:
In the film[25], the protagonist Truman was born into a massive studio set. His town is actually a 24-hour live reality show set, with all residents actors—only Truman remains unaware. His life is watched by billions globally, yet he believes he lives a normal life. Eventually, through subtle clues, he suspects reality and wants to escape. But the show’s producers keep setting obstacles to maintain continuity. Finally, he sails a boat toward the "end of the world," climbs the stairs, opens the door, and steps out of this fictional world.
This scene[26] clearly pays homage to the film’s final escape sequence—leaving a deep impression. It’s incredibly fitting for Nahida. I’m a huge fan of Nahida! With limited literary skills, I struggle to describe the excitement I felt seeing the little Grass God bow and open the door. It was so cool!

The film[27] tells the legendary and lonely life of a genius pianist, 1900, who never set foot on land. 1900 had multiple chances to disembark but believed he didn’t belong on land. Not out of fear, but because he refused to compromise with a world of "infinite choices but no meaning." His music, life, and world existed solely on the ship. In the end, he chose to sink with the ship into the ocean.
1900 firmly believed music should be pure, spontaneous, and heartfelt—refusing to record albums or commercialize. This parallels Kavi’s belief that architecture should embody beauty and ideals.
This scene pays homage to 1900 hesitating at the gangway, ready to step ashore.

A very famous film[28], widely referenced in many works. The film is set in a world where one can enter others’ dreams to steal thoughts. The protagonist and his team are hired to implant the idea of dissolving a conglomerate’s company into a wealthy heir’s mind—a goal deemed impossible. This parallels Arlecchino’s legend quest, both revolving around "intruding or manipulating another’s consciousness/memory."
This scene likely pays homage to the moment when the protagonist first introduces the concept of dreaming to the female lead. The shattered background corresponds to the dream collapse scene in the film—an iconic moment. The spinning top appearing here is a key symbol in the film, possibly the protagonist’s totem (or some say it’s his wife’s; the true totem is his wedding ring on his ring finger)—a symbolic element. The top spinning endlessly means still in a dream; if it falls, it means returning to reality.

A rather stream-of-consciousness film[29], using the growth confusion of young Jack to repeatedly question "Does God exist?", "Why is there suffering?", "Is grace real?" Mother is gentle and loving—representing the "Grace Path"; father is strict and pragmatic—representing the "Natural Law." Jack struggles between the two, eventually seeking a transcendent reconciliation in the grand cosmic picture. This resembles Lahma realizing the moon above is "fake," doubting the gods’ authenticity, and ultimately choosing to reveal the truth to her people amid contradiction.


Seven tasks listed in the title:
In the film[30], the protagonist Nina is a highly skilled but introverted, extremely disciplined ballet dancer, longing to play the "Queen of Swans" role in the new version of Swan Lake. This role requires portraying both the white swan and the black swan. Nina can perfectly perform the white swan but cannot express the passion and darkness required for the black swan. Another dancer, Lily, is free-spirited and wild, becoming her strong competitor. Under her mother’s oppressive control and obsession with "perfection," Nina’s mind gradually breaks down. She starts hallucinating—seeing her skin rot, nails torn, feathers growing. On opening night, she performs the black swan flawlessly but stabs herself with glass shards in a hallucination. After the performance, she collapses in blood, saying, "I felt perfection. This is perfection," sacrificing herself to art’s ultimate ideal.
Using this film to correspond to Furina’s origin and Fontaine’s plot is highly appropriate. There’s a detail in the image: the reflection of the black Furry is the white Furry.

The film[31] tells the story of a young man accused of murdering his father. Witnesses speak confidently, and all evidence points heavily against him. The final verdict requires input from a jury of twelve people, but except for Henry Fonda’s architect, everyone else dismisses the case and quickly assumes the boy is guilty. The first vote is 11 to 1 in favor of guilt. Legally, unanimous agreement—12 to 0—is required. The first to vote not guilty is number 8. Due to his persistence and scientific reasoning about three key pieces of evidence, the atmosphere of doubt spreads among the other eleven jurors. The voting results shift dramatically: 11 to 1, 9 to 3, 8 to 4, 6 to 6, 3 to 9, 1 to 11. Finally, through conflicts of worldview and diverse thinking, all twelve jurors reach consensus: Not Guilty![32]
The image indeed shows twelve people, though Charlotte and Lynette are blocked by Linni.

The transition here resembles Weathering with You[37][38].

Flora’s costume design changes with each nation she visits—very beautiful!
The background tells the story of a young man in old Mondstadt who fought bravely for "freedom," poetry, blue skies, birds, and those born within the wind wall, just like him.

This heart might be from Snowy Duling, though uncertain.

The birth of Anemo God Barbatos, perhaps.

There are five scrolls in the background, though unclear exactly what they represent. Guessing roughly:

On the left in the background are Sasabana and Gojūkaku; on the right are Mikiyakotomi and Kikyōgū. In the foreground is a yōkai fox.

The background characters remain unchanged, only their positions shifted. In the foreground is a ground fox statue.

Some Sumeru characters appear in the background. Harder-to-recognize ones include Jede to the right of Lanromo, and Tighnari barely visible with only feet showing.
Facing the camera from left to right: Lantisha, Lanzhuti Jia, Lanromo. Back-facing ones are harder to identify; the middle one is likely Lanbai Lijia.

The background shows the twin gods forcibly separated, with the Water Lily Cross Sword appearing.
In the image, Furina emerges from the mirror and becomes Furina, her outfit transforming into Furina’s, then dissolving Another stab to my heart.
The people facing away are clearly from the Water Lily Cross Society’s quests. On the left: Mamehe and Seymour (quest "Ancient Colors"); on the right: Catapila, Mariann, Ann.



From right to left in the background: the captain leading troops to protect Natlan, the confrontation between the captain and Mavika in the main storyline, and the captain paying the cost to the Death Sovereign.
In the foreground, two scenes appear: one from 500 years ago showing Mavika interacting with her sister, and another showing Mavika drawing a family portrait now.


The 11 Harbingers. The composition seems inspired by the famous painting The Last Supper[40]. The Lady is rare among the living. The surrounding chess elements may stem from Interlude PV - "Winter Night's Foolish Play".



Flora meets her brother, recalling fragments of her journey. The quick flashes when reaching out are as follows:






Then intercut scenes might depict another timeline where the twins travel with Paimon:




The moment the twins embrace tightly—camera movement is incredible! The costume designs shown here, besides those from the game, are from the author’s previous and current second creations:






No matter in which world, we will eventually reunite.
Then follow the chapter title posters. Not sure if they’re paying homage to real film posters.
The order is: Separation from Loved Ones, Old Age Suffering, Meeting with Those One Hates, Death Suffering, Unfulfilled Desires, Birth Suffering, Illness Suffering, Five Aggregates Intense Suffering.


Words on the posters not previously seen and identifiable:
Finally, dedicated to all creators of "Life as a Play," this is a masterpiece of second creation. Thank you all for your hard work!